Arias, Young Love and Rediscovering the Delights of Walking

Memory is an interesting thing, not least for its triggers, the mechanisms behind what we remember and what we (choose to?) forget and also for how something can simmer beneath the surface in the subconscious layer of the mind, feeding a gnawing sense of restlessness but never being comprehended. The return of the Aria Code podcast for a third season this week was one of those jolts, the exploration of Puccini’s Nessun Dorma, the kick which opened up the door to a rabbit hole of memories. A few years ago now, in a season of young-ish love infatuation, HMT in the ‘Deen became the centre of many a late night taking in opera, walking along Union Street to cars parked in side streets (for the free parking) but not much else besides. In retrospect, it was very much a period of unrequited love that went no where in the end, although my memories of the time suggest otherwise. The things one chooses to remember or forget, I guess? The one upside to all that remembering was delving into the rabbit hole that is YouTube for performances of the Aria, one of the more fascinating ones for me being the soulful rendition by Aretha Franklin at the ’98 Grammys (which she agreed to do at short notice as Pavarotti was ill).  The aria’s closing sentiment (At dawn, I will win! I will win! I will win!) is apt given our time, as the Aria Code episode so aptly demonstrates.

I have just completed under a month of walking ten kilometres each day; noise cancelling headphones on and music cranked up to as loud as is comfortable as I do the loop around my house.  On most days I have tended to pass other walkers at pace, eyes averted, trying the least to intrude on their space (or more accurately preserve the sacredness of mine). On the odd occasion when it has not been possible, I have waved in response to others waving. A chance conversation on the bus the other day did however remind me that it wouldn’t hurt to initiate a greeting now and again as I whizz pass others. That is something I hope to take on board for the next batch of 10k strolls. 

Life is fleeting, things can change, and breath is a fickle thing after all. The word for this week, mashshaa‘, for walker.

Recent Finds (x5)

The Year In A Song (or Two)

In keeping with last year, I thought I’d go through the list of songs Spotify thought I listened to the most from my 2020 playlist to try to tease out some themes and recollections behind them. Here goes:

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Fighting For Us – Anthony Evans: I popped into a church end of year event in Croydon at the behest of my friend O, where Anthony Evans did this song amongst others. It turned out that he’d just lost his Mother to cancer which put his turning up at all into perspective. I came back to this song quite a few times over the course of the year.

You won’t hold back when it comes to Your children
You fiercely defend us ’til we stand delivered
You’re fighting for us, always fighting for us
You won’t back down facing armies of thousands
You speak one word and they scatter around us
You’re fighting for us, always fighting for us

Breakthrough – Red Rocks Worship: Although I stumbled on this during my London lock down, the enduring memories of this song for me are having it on repeat during my evening walks in the heat of the Arabian summer in first few weeks out here. My favorite bits are the bridge:

Shake the mountains, break the walls apart
Open the Heavens, Almighty God, You are
Over comer, Defender of my heart, oh-oh, yeah
And by Your power, the oceans open wide
Your fire falls down, Heaven and Earth collide
King Jesus, forever by my side, yeah

Land of The Living – Church of The City: Stumbled on this song during a period of uncertainty which is perhaps why it stuck with me. Something about the reassurance of the lyrics, taken from Psalm 27:13, provided an anchor, and I ended up coming back to it again and again over the course of the year.

You’ve never made a promise you couldn’t keep
You don’t lie to me, You don’t lie to me
You’ve never made a promise you couldn’t keep
You don’t lie to me, You don’t lie to me

The Blessing – Kari Jobe, Cody Carnes and Elevation Worship: Spawning loads of covers from across the globe (my favorite ones were from the UK and Nigeria for obvious reasons) it is fair to say this song was a global phenomenon. I suppose a prayer that reaches back like a thread to the past and speaks over the future generations is especially powerful.

May His favor be upon you
And a thousand generations
And your family and your children
And their children, and their children

May His presence go before you
And behind you, and beside you
All around you, and within you
He is with you, He is with you

So Will I + Do It Again- Osby Berry:This was another one that I returned to again and again during lock down. The clarity of the voice held me, and I ended up devouring everything he’d done I could find on the internet.

And as You speak
A hundred billion failures disappear
Where You lost Your life so I could find it here
If You left the grave behind You so will I

Forty-One

Photo by Nick Fewings on Unsplash

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It was my birthday the other day, and in keeping with what is becoming a tradition of sorts, I spent the morning wading through a flurry of WhatsApp and text messages before a fairly lengthy video call with the niece who I almost share a birthday with. The rest of the day was spent off-grid, which has become one of the more enjoyable parts of the day. I don’t remember when the need to unplug on the day first came to the fore but I am finding that in the aftermath of all of that mental stimulation, some downtime is helpful. As I have reflected on here before, the five weeks between the 8th of July and the 15th of August tend to be emotionally draining ones. Dealing with a move – which is quite frankly a culture shock of sorts – has only added to that this year.

Turning forty seems significant, to be the onset of an important phase of life and a milestone (never mind it also being a magnet for slander on the interwebs :)). Forty-one, on the other hand, seems like an afterthought, just another notch on the pole of life occasioned by yet another spin around the sun of the earth. Having spent the first twenty and some in the Nigerian state of my birth, the next ten making my way in the world in Nigeria and the next eleven in the UK, it very much feels like a third phase of life. Interestingly, each move has taken me away from the safety of the cocoon in which I grew up, complete with all the trappings of the evangelical industrial complex. My focus this year is Delve Deeper, I suppose there is no better place to test one’s depths and roots than in a far country – to use the metaphor of the prodigal – with all the trappings of having to build credibility all over again. There is certainly no room for coasting. There are also the challenges of living and thriving in a post-oil world which, given the current source of my livelihood, I need to focus on, using today’s opportunities to create the tomorrow’s ones.

In all of that, I am finding the lyrics of NEEDTOBREATHE’s Hang On particularly fitting:

So hang on to the light in your eyes and the feeling
Hang on to your love drunk original reason
So hang on to the small town you love but you’re leaving
‘Cause you won’t be a fool for so long

Economists suggest I am a few years from hitting the bottom of my happiness u-curve. An uptick in happiness is at least something to look forward to, and the enduring tension of leaving the small town I love but which I’m leaving…

Life In A Song (Or Two)

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The data is in, Planetshakers were both my artiste of the year and of the decade if Spotify’s number-crunching can be believed. Compared to 2018, I listened to 36% less music, although I suspect that had more to do with listening to a lot more podcasts than I did last year (thanks to switching to an Android phone and Pocket Casts), streaming more radio and the occasional YouTube binge.  What would be fantastic would be a service that aggregated my listening across all these platforms and thus enabled me to delve deeper into the underlying trends to my listening.

One positive from spreading my music listening across all these platforms is the cross-fertilisation that occurs between them. Several times over the course of the year, I’d hear a song on Air1 then pop into Spotify and descend into a rabbit hole for several hours, discovering a new favourite in the process. YouTube was also a useful source of inspiration for Spotify streaming; chief of which has to be finding Osby Berry (and Cross Worship) as well as People and Songs.  Even podcasts chipped in,  Malcolm Gladwell’s Broken Records turning me on to Pentatonix (and in turn Naturally Seven) and Rhiannon Gidden’s Aria Code bringing the Queen of The Night aria to my attention. That cross-fertilisation is something I could use more of, particularly as it leads to discovering more music I might like. That discovery market just might be the next frontier for a streaming service to crack and get me to hand over my money.

A warning of sorts, this list is decidedly Christian as is a lot of my music listening. Here goes then, 10 of the songs which defined my year.

  1. Do It Again (Elevation Collective feat Travis Greene & Kierra Sheard): This was one of those songs I loved so much three versions of it made its way onto my Songs for the Dark Places playlist. This version was my favourite one, honourable mention for the Cross Worship/Osby Berry version too.
  2. Made A Way (Travis Greene): Although an older song, this was one that came to my attention first in 2018. It will forever be inextricably linked to A’s rendition of this in my Aberdeen church from what was a deeply fraught place for her.
  3. So Will I (Osby Berry): One of those songs I stumbled upon on YouTube, it ended up becoming a portal to discovering other music including Victoria Tunde. Another one of those songs I ended up liking more than the original.
  4. Control (Tenth Avenue North):  Church hopping earlier this year brought us to Welcome Church in Woking during their Why I Follow Jesus series and a message by Pete Hewlett which took in open-heart surgery amongst other things. This was one of the songs he had on repeat in those dark days, which brought it back to mind for me and on repeat several times during my year.
  5. YHWH (The Sound of My Breathing)[Donald Lawrence and The Tri-City Singers feat Jekalyn Carr]: Another one which made its way on to my dark places playlist.

Remembering

seasgull prompt
Image source, for The Sunday Muse prompt #74

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Like the slowly louder clunks
a train’s wheels send ahead,
as it wends its way along ancient tracks,
the old man’s memories float
slowly to the fore, the streaks
of dappled light dancing
on the walls behind his face
a spotlight, falling on him
the same way it falls on
a minstrel at a cabaret, drawing a hush
out of the muted mumblings of the gathered.
Though his wrinkled skin, once soft
now lies wrinkled, warped and folded
and his fingers once supple now lack dexterity,
like a seagull resplendent in its freedom
the memories of past songs return,
the track and the piano fusing in
a crescendo refusing to be silenced.

Wet Weather Problems, Twittering about Tea and Loving at First Write

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All it takes is an extended patch of wet and cold weather for things to descend into chaos on these islands, this latest batch of snow, heavy winds and cold weather culminating in flight cancellations and severe weather warnings amongst others. For the most part, I manage to survive – extra warm clothing, walking gingerly to and from work in the wet slush and almost continuous heating being the sum of the adjustments I have to make. It is at the weekend when the rooster comes home to roost in a manner of speaking. Having turned up at the airport for my 8.20pm flight down to Heathrow, delays till almost 11 pm are announced until at a few minutes before midnight we are advised the flight has been cancelled. Remarkably, everyone who should be on our flight is remarkably sanguine about it all,  helped I suspect by the sense that the weather ‘gods’ have been at it again. Between the final announcement of delays and the flight being cancelled, we find (from Flight radar) that the ‘plane designated to carry us away to London has made several attempts to land at the ‘Deen but has failed due to fog rolling in. They eventually get diverted to Glasgow whilst we make an orderly line at the front desk to get our flights rebooked. I move my flight by a week and then head home, not before I find out that the woman in front of me in the queue has family in the same area of Surrey that I’m headed to, and very much like me, she makes this trip every two weeks so. Joking about being four-day spouses, does have a ring of truth to it though. For me, it offers evidence that this thing – having a foot in two different countries – isn’t exactly impossible to maintain, mild weather-induced irritation notwithstanding.

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https://platform.twitter.com/widgets.js

I have to thank this tweet, and the replies it spawned, for helping most of that time pass. Growing up in my other country, meals were all about being three ‘square’ meals: breakfast, lunch and dinner. Tea – and apples amongst other things – were alien constructs I first came across in the various Enid Blyton books I scrounged off my more exposed friends. As I became older, tea became synonymous with instant cream milk (usually the Peak brand) and Bournvita (a chocolate drink) and on the odd occasion a cup of Lipton tea. Reading the replies and comments thus brought back memories of my first few years up here, particularly offshore and the contact with people from across the spectrum of UK regions it brought my way and brought more than a few chuckles to me too. A silver lining to all that waiting I would like to think.

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Elsewhere, I have been slowly catching up with the first season of Aria Code, Rhiannon Giddens’ deep dive into a number of the most famous arias along with interviews with singers and capped off with the full aria from the Met Opera. The penultimate episode from this first season features the “Letter Aria” from Jules Massenet’s Werther, which opens with Charlotte at home on Christmas Eve, rereading letters that she has received from Werther an ex-lover she has sent away to be focused on her marriage to her husband. One of the themes explored in this episode of Aria code is the subject of long-distance love, a theme lived and explored by one of the show’s guests Peter Bognanni (after briefly meeting his wife, they fell and grew in love over email before eventually marrying) in his book Things I’m Seeing Without You. Well worth a listen if Opera is your bag, or if like me you have good memories from having made friends and loving over significant distances.

The Diary: On Flights, Music and The Muddled Lives Of Heroes

Between work and visits to family, I travel quite a fair bit by air each year. Already though, 2017 is on course to be my most airborne yet – love-hate relationship with flying notwithstanding.  The thing with S has been a big part of that, more so over the last few weeks, five of the last six of which have been spent down south. In times like this, even I have to admit- however grudgingly – the usefulness of being able to just fly. I shudder to think of how many hours I would have spent on trains or coaches over the last few days if flying was not an option.

Coming up to Aberdeen on this last but one flight of the lot, the relatively seamless BA experience I have enjoyed over the last few months falls apart, my 9.00pm flight ending up being delayed by an hour. That turns out to be the least of my worries as upon arriving at Aberdeen we have to wait to disembark, and then spend over an hour at the taxi rank for a taxi home. The official reason for the delay with de-planing is that the hold is full and we have to stay on until it is emptied to prevent the plane from tipping over.  Ironic cheers greet the announcement, not helped I suspect by the tone with which the pilot relays the reason. By his own admission, it is the first time he has heard that used as a reason. All told, by the time I get home at 12.45am I am barely lucid. How I manage to make it into bed remains a mystery but somehow I do.

My trusty headphones – and music – have been indispensable companions on these jaunts. Most recently I have had Lecrae and Tori Kelly crooning into my ear, the song being the catchy I’ll find you tune. It is a song I stumble on on Spotify on one of those days on which I am mindlessly letting it decide what music I hear. My interest is piqued enough to put the song on repeat whilst I hunt down information on the song, from which I find out the video is in support of a children’s research hospital and comes from a place of pain for folk they know who were battling cancer at the time. Its themes – fighting through a difficult season but knowing there’s someone who’ll make the effort to support one are ones that are uplifting and comforting in their own way.

With the benefit of a clear head a few days later, the question of how much of a distinction there can be between spiritually uplifting stuff (read music, sermons etc) and the messengers who bring them to us comes to mind. A few years ago, the Hillsong song Healer was a firm favourite of mine, made all the more interesting by the back story – the writer of the song was apparently dying of cancer. That was later shown to be false which prompted a huge backlash and calls for the proceeds from the song to be returned and a number of the organisations which had provided him a platform moving to distance themselves from him. Lecrae himself has stirred controversy with comments he has made about not being a Christian rapper and his outspoken support of Black Lives Matter.  Eugene Peterson, creator of The Message paraphrase, also drew some flak for apparently shifting towards endorsing same-sex marriage, a position he had to clarify very quickly.

All told, there does seem to be a tendency with Christendom to throw the baby out with the bath water and immediately distance itself from folk who seemingly stray from the weathered centre ground of orthodoxy. Two views I have found helpful on this subject of what to do with the ‘muddled’ lives of highly visible messengers come from John Piper and Russell More in the aftermath of the Peterson shift that was not. Truth remains truth, human vessels are inherently flawed and their output should be read through the lens of the bible itself.

 

Rhythmic

dance

Image Credit Seb (Unsplash); for the prompt Rhythmic


In the wake
of the rising sun
comes the call of dawn;
a song drawn
from the chirp of birds,
the flutter of leaves,
the creak of stirring bones
and the lap of waves
carried on the breath
of the morning breeze.

Here on the edge
of the morning
in the quiescence of
a lingering dream,
the memory of the patter
of your feet lives on.
In the sumptuous symphony
of nature’s call and response,
the perfect fit
of the lilt of your voice
and the wind in the trees
You return.