We woke up to a grey, watery mist rolling in the other day, a state of affairs which had me wondering for a few seconds if I had somehow ended up in good old Blighty. That was before the heft of air weighed down by 26-degree heat hit me in the face as I made my way to the bus stop. By the time we rolled into work, everything was shrouded in a thick, soupy, fog with visibility all but gone. It had all boiled away by 10 am though, with things returning to the way they always were: bone dry, warm with clear skies. Fog was not something I expected to encounter out here, although the roadsigns which show a 15km/hr speed limit in fog should have been a clue.
Back in Blighty, S. is now up to two jumpers for the evening and has given up the battle against the radiator. Out here, it definitely feels different, with the high heat of summer now giving way to a more breezy, cooler fall of sorts. Whilst there are no deciduous trees to turn their leaves into a mosaic of brilliant golds and browns, the date palms seem to be shedding their fruit onto the walking paths more frequently than I recall. Nature is certainly winning the battle of the wills with the grounds people who battle gamely to clean up whatever falls, a Sisyphean task if ever there was one.
Cooler evenings have meant that my evening walks now start earlier, which in turn has enabled me to return to an hour or so of reading before bedtime. The first fruit of that was finally completing Aida Edemariam’s The Wife’s Tale, a detail-heavy depiction of life in Ethiopia from the early 20th century to the beginnings of the 21st as told through the lens of her grandmother’s eyes. Intersecting as it does with a lot of the history of modern Ethiopia, it sheds a personal, intimate light on things like the Italian occupation, the deposing of Emperor Selassie, the civil war and the famine of the early eighties.
Between finishing the book and coming across a picture posted by a friend on Instagram, I have been thinking about our personal histories and how we curate them. This brought to mind the3six5 project, a web-based project which ran from 2010 to 2012. It featured a daily slice of life, written on the day by a different person and inspired a number of local versions, including our very own Nigerian one. I also enjoy images curated by the Bumpkin Files account, although it has a decidedly Black British slant.
Today’s concerts, #EndSARS protests and life under lockdowns are yesterday’s famines, civil wars and momentous election victories. If we’re not curating our personal histories, I wonder what lost personal perspective on today’s events we might rue when we’re old and grey and little Aoife asks what it was like to live in these times.