Wafting

For The Sunday Muse Prompt #95.

***
It thunders,
and then it wafts,
its wispy tendrils
slowly rising like
the white smoke
of incense from a censer,
held aloft by a priest
intoning a muttered
prayer. Behind,
a bridge to the past
hides, disappearing,
as it were, into
the haze of memory;
ahead, the future –
not yet glimpsed
but in the moment
frozen – and enjoyed.

People Watching…

Photo by Toa Heftiba on Unsplash

Last week was about thinking about the underlying reasons for writing, this week was starting off on the journey towards sharpening our powers of observation, the idea being to hone our ability to find stories in the quotidian.  A city-centre eatery late one night was my muse.

***
It is a little after 8.30pm when the smell of French fries wafting in through the door draws me in. The first thing that strikes me as I stride through the door is how empty it looks, the bulk of the two-storied structure being cordoned off, with only the small section to the right of the counter open for use. I find the emptiness surprising given it is next to a major bus station and right in the centre of town. As I wait for the chance to order, I find myself behind three people, all decked out in the garb of people dressed to brace the cold, with the brightly coloured logo of a food delivery service gracing the insulated bags they hold.

A few feet away from the space I find for myself and my tray are three men with youthful faces, chattering away in a language which is not English, possible South East Asian if I were to hazard a guess. Their half-eaten burgers suggest they’ve been here a while, given how much of their time is spent in conversation interspersed with raucous laughter. When they are finally done, one of the three gathers up their trays and proceeds to empty them into the bin and then they leave, taking their mirth with them. Clearly close friends, or people connected by a shared lived experience I suspect.

Apart from them, the only other people in the room are a group of much older people – 2 men and 2 women occupying the central tables and someone sitting alone, sipping from a cup looking out onto the streets. Of the four, the woman who looks the oldest is slouched in her seat, hands folded together in her lap, two shopping bags beside her, listening it seems. Across from her a younger man with hair the same ginger colour as hers sits, leaning in, several discarded sachets of milk at his elbows, gesturing wildly. Between the accent and my hunger, I can barely make out what the subject of their conversation is but the name of the suburb to the south of the river comes up several times. Maybe a family squabble then, or given the reputation the small town has for being a difficult place, maybe an appeal to the matriarch of the clan for an intervention. All I can see of the fourth person are feet clad in streaked sneakers, the upper body obscured by a heater.

When I steal a glance at the group on my way out, I find the fourth person is fast asleep. Maybe, I have misread the situation after all.

Lift Off

Photo by Green Chameleon on Unsplash

One of my objectives for 2020 is to complete a Creative Non-Fiction course, which is how I signed up for the National Centre for Writing’s Start Writing Creative Non-Fiction course. Once a week, or so, I’ll drop a few thoughts on exercises completed, thoughts and progress on here. Here goes the first one.

***
The focus of this first week has been pondering the question ‘why?’, exploring the motivations for taking on the course, and perhaps the underlying book project which it is assumed one is working on. For me, the course is an attempt to go beneath the surface and understand the techniques behind good writing, in keeping with the theme for this year of Delving Deeper. Progress on that elusive memoir, The Small Light in Things. will be a very welcome bonus.

In my head, The Small Light in Things will focus on the last ten years of my life, ones in which I upped sticks on the cusp of turning thirty and began life anew on a new continent along with all the change that instigated. It will be a story of surviving – of navigating a culture shock, the first tentative steps on a journey of evolving faith and changing, by degrees as it were. It might be cathartic, or not, but my hope is that I get to properly process all of this with hopefully the benefit of some distance and detachment.

Three books come to mind as exemplars of what I am trying to achieve here: Teju Cole’s Every Day Is For The Thief, Richard Rodriguez’s Hunger of Memory and Etgar Keret’s The Seven Good Years, all of which reflect on times of change and evolution with the benefit of some distance. What resonates with me in these books, particularly Every Day is For The Thief and Hunger of Memory, is the lived immigrant experience -both in the other country and in the country of birth. Time, life and the experience change us in ways which are not immediately obvious, that is what I’m hoping to tease out from the past ten years of my life.

Gift

For The Sunday Muse Prompt 93:

***
Here, prone
beneath the weight
of things unseen,
the vision has begun
to fade, the dream
once resplendent
in its colour,
now faint and grey,
Between the leaving
and the grieving
a messenger appears,
a key in its wings,
a gift of redemption
and rebirth.