I decided that for Lent this year I would give up caffeine, if starting almost a week after the properly faithful and switching to tea, topped up by the odd cup of decaf coffee count as giving up. No longer being part of any of the Orthodox traditions meant I failed to get the prompt I took for granted growing up, the ash crosses on foreheads that signalled Ash Wednesday, and the start of Lent. The point of Lent is spiritual – which giving up caffeine is not, at least on the surface – but I think there is a spiritual point in trying to best what has become a costly, insidious habit; proving to myself that coffee is not my master. Given how much my morning routine at work is related to taking time out to reflect at the start of the day with a cup of coffee in hand, it should be an interesting thirty-seven
forty days. Hopefully it translates to better sleep – the data from my Fitbit will be the judge of that.
In tandem with the idea of ‘giving up’ caffeine, my interest has been piqued by the 1,000 Day MFA Project; the idea being that one reads a short story, an essay and a poem everyday and writes at least once a week. I suspect that this will be the greater struggle, to fit time to read amongst every other thing going on in my life at the moment. To ease myself in, I subscribed again to the Poem A Day from Poets.org, bookmarked the Fifty-Two Stories site and now go to work with Teju Cole’s Known and Strange Things in my bag. It has been an interesting few days of reading already; Simon Van Booy’s The Missing Statues, Teju Cole’s Ghueorgui Pinkhassov (a redo of his essay Dappled Things) and Kim Dower’s poem, How Was Your Weekend being highlights so far.
It is from Cole’s essay, Ghueorgui Pinkhassov, that the line The Small Light in Things comes. Cole’s assertion is that the underlying theme of Pinkhassov’s photography, even as he makes a conscious effort to vary subjects, methods and media, is making finding the small light in things the centre that holds true in spite of change. The close association of rescuing and small perhaps implies that there is a light in everything, and that it is somehow in danger of being lost amidst the noise of everything else. Pinkhassov’s genius, if I read Cole’s essay right, is in this ceaseless pursuit of light in everything.
Maybe we all are trying to rescue the small light in things in our lives too. In the happy, sad or indifferent, the momentous and the quotidian there are lights of sorts; in the form of lessons to learn for the future, the nostalgia of memories of the past or most importantly the inspiration to dig deep, find grit and get through the present. Speaking of grit, I have had to dig deep to find that this February; the clearest indicator of that being that for the first time in a long while I woke up one Tuesday morning wondering if I could call in sick and avoid going into work. In the end, the force of habit (I’d love to think it was my professional integrity) won through and I went in, but pacing myself and avoiding burnout has never been more imperative.
The small light in things, I may have found the title for that memoir, if (when?) I get to write it.